“So what if their fun made me a laughingstock before my schoolmates, not to mention the wider world? So what if they were torturing a child? All was justified because I was royal, and in their minds royal was synonymous with non-person. Centuries ago royal men and women were considered divine; now they were insects. What fun…”
As In It Didn’t Even Make it Through the First Round of a Micro Fiction Competition
So, I’m just releasing my thoughts about this into words. Thanks for allowing me to indulging in this exercise with you.
At the very least, it has been a huge learning experience participating in the NYC Midnight writing challenges. The prompts and random genres are hard! But I was bit by the competition bug and have been compelled to torture myself in a few of these events where you only have a day or two to write according to prompts. I managed to score points for two stories in the flash fiction contest, but not enough to go to the third round. So, failing to even get an honorable mention in my latest endeavor put a big dent in my day yesterday.
Why am I whining? I’m not really. I have learned so much from these competitions, and the feedback from the judges is detailed and well thought out. I had the idea that I could share this with a few readers (if anyone is willing) to shine some light on what the judges say was lacking.
I was assigned Action/Adventure, Catching an Insect, and the word Clean to use in my story.
Now I admit, Action/Adventure is not my thing, though I had fun with it in my short story, A Leap Through the Elder Oak, which I shared for winter solstice. But I gave it a shot because I do love a challenge. I was pretty happy with the plot that popped into my head as I mulled over the prompts.
The main issue was that the story failed to have a direct action scene. Oops. I’m fairly certain Action/Adventure needs a direct action scene. I thought dodging between skyscrapers in a squirrel suit was pretty direct, but that’s just me. Kenji might have been a little too contemplative for an action story. At least the judges said it was a compelling story despite the lack of direct action, and Kenji was a compelling protagonist. I’ll take it!
Then they said I needed more backstory for the brothers. I get that. The judges were confused about the purpose of the story, was one brother good, one bad? Both bad? But backstory in 250 words? Hmmm. And I think my main theme was pretty clear. It was about family, so it didn’t matter if either of them were good or bad. One brother was desperate to save the other, and he risked himself to do it. Again, 250 words… how do you give them both a backstory plus the story in 250 words? Sorry. I’m repeating myself.
They discussed the idea that the omen of the moth could be bad, or it could be good depending on the reader. I’m okay with that. It’s what I intended. This lovely moth in fact represents portents both good or bad depending on the culture. I wanted to leave that up to the reader, whoever you may be.
Finally, they said the paragraph where I use the required prompt word “clean” could have been shorter, less descriptive to allow room for more backstory. But how the heck would “clean” fit in without Kenji looking around his environment? That’s a stumper, but that is probably the main reason why I need to work more at writing good micro fiction.
I asked a couple friends. One thought I’ve been mulling over is that my point of view might be confusing. It felt like it was always Kenji, but let me know what you think about that.
Well, here it is for better or worse. And thanks again!
I’d love any feedback to help me make it better because I never let my losing stories just die, and you might have the perfect idea how to get that backstory in. That would be a fantastic thing.
The Death’s Head Omen
Kenji suited up, knelt on one knee, propped his elbow on the other, then used his mini scope to confirm the coordinates. His target was locked in.
Jumping from a high-rise balcony in the dark to land on the roof of a warehouse three miles away was crazy. The wingsuit flight might kill him any number of ways. An accurate parachute landing would be a miracle. Doing it in the middle of a drug deal raised the stakes impossibly high.
But he would arrive unseen, and it was his best option to save his brother. Kaiyo would do the same for him.
Still, prickling sweat mocked him. Made him doubt his abilities. Kenji needed an omen. As the thought entered his head, a shadow flitted across his vision. A death’s head hawkmoth. Up here so far, and all alone? Like Kenji in his desperation.
Swiveling, he scanned his surroundings one last time. It was beautiful amid the tops of the gleaming buildings. Muted, like the outer reaches of space. Pristine. The glass wall behind him was so clean he could see through to the east end of the hundred and first floor.
He captured the portentous insect between cupped palms, absorbed its fluttering life, then spread his hands. It flew free. He aimed his body and did the same. Familiar excitement took hold, and the air currents gripped him as he hurtled twenty-five miles an hour between gleaming skyscrapers and flashing neon, zigzagging towards the only family he had left.
A blogger friend shared this amazing Ted Talk with Ethan Hawke. Listen to his thoughts on the necessity of acting the fool in our creativity so humanity might have a chance to survive intact as humanity. That’s my take on his compelling discussion, anyway. Please share yours in the comments.
Okay… so it’s not as scary as it sounds… It’s just the way my new year is shaping up.
I’m talking about my expanding world of developing characters, and if I’m honest, it feels closer to being invaded by a litter of 99 Dalmatian puppies frolicking and vying for a standout place in my stories than impregnation by horrific alien parasite beasts.
If you’ve been following this thread of musings, you know I’m fond of expounding on how my burgeoning characters mysteriously began showing up only a few short years ago when I inexplicably began writing fiction, which led me to conclude they must have been seeded by aliens who conspire to use the human race to produce their entertainment.
I say keep it coming, Pod Seeders!
But what I’m really talking about here are all the short story submission opportunities that seem to be due almost on top of each other. Do they all get together and plan it this way? Every magazine or competition I’m interested in has a deadline in February, pretty much all at once. But that just means my little podlings are popping out right and left from the deep recesses of my mind. I’m good with that. I hope the stories never stop coming, the characters never stop developing, and I always have too much to write. That is my idea of a good life. And that is what I’m looking forward to in 2023.
I’ll let you know around April if I survive the first quarter.
Now, if I could just get to that point where I didn’t have to spend forty hours of every week working for someone besides my Pod People… oh, what I could do with that time…
A lonely man in a dying world seizes a chance at happiness with a mythical being. Grab a cup of tea and settle in with your favorite snuggly blanket for an eight minute story that feels like getting lost in a novel. While you’re there, I would love to know what you think.
Click on the photo above to go to my Vocal Media story and feel free to comment and like. I would greatly appreciate it.
Excerpt
The outside world was unknown to her, but she could see a glimpse of it through the window in his room. The view from this high place included a blue sky interrupted by puffy white clouds tipped in pink from the rising sun, and their shadows moved swiftly over a patch of turbulent sea. That spot was the focus of her longing.
It was the vast land flowing away from the sea that comprised the unknown, the part of this world she had never experienced until now, the part that required a pair of feet to traverse it. She looked at her toes in wonder, curling them just to ensure it was her will operating the strange appendages.
Madeline Davis – Harpist, Scholar, U.S. Fantasy Writer
Madeline and I met in the Fantasy Sci Fi Writer’s Alliance and enjoy helping each other with story feedback. Her insights and editing tips have been invaluable. I love Madeline’s imaginative stories infused with the elements of her classical education and feel privileged to share in her writing journey.
Madeline is a harpist and an avid student, currently working towards her undergraduate degree in the Classics, as that field allows her ample exploration in her favorite subjects–literature, philosophy, theology, history, and languages–all at the same time.
She also enjoys poring over ancient texts and researching in her chosen subjects to incorporate the results into her fantasy genre stories. She hopes to give others a share of the delight she has derived from so many fine tales. And I’m delighted she is joining me for a Q&A, so she can pass that…